Series: Book 1 in the Widow series
Rating: Not rated
Tags: EN-SciFi, Lang:en
Summary
One of the major voices in science fiction, Mike Resnick
presents the first volume in a bold new trilogy.Jefferson
Nighthawk--known and feared by many as the Widowmaker, the
consummate bounty hunter--has been frozen for a century in
order to defeat a deadly disease. Only now the cost of his
care has risen, so the Widowmaker is called out of retirement
for one special commission, and a very large chunk of cash. A
notorious assassin has been wrecking havoc on the Frontier;
who better but the Widowmaker to defeat him? A mile beneath the glittering surface of Deluros VIII, the
capital of mankind's sprawling Oligarchy, two men rode a
slidewalk down a long, dimly lit corridor, their voices
echoing in the vast emptiness. One wore gray, one
white. They passed a door, then four more.
"I wonder what he'll be like?" mused the man in gray.
The man in white shrugged. "Old and sick."
"I know," agreed the man in gray. "But I've
seen so many holos of him when he was...well, you know.
"When he was the most famous killer in the galaxy?" asked
his companion sardonically.
"He did most of his killing on the side of the law."
"So the legend goes."
"You sound like you think otherwise," said the man in
gray.
"No. But I know how legends get made."
The slidewalk brought them to a security checkpoint, then
stopped until their ID badges and retinas had been
scanned. It began moving again, only to stop once
more at a second checkpoint fifty yards farther on.
"Is this really necessary?" asked the man in gray.
"The richest men and women in the Oligarchy lie helpless
down here," came the answer. "They are totally
defenseless--and believe me, nobody gets that rich without
making enemies."
"I know," said the man in gray. He gestured
ahead to two more checkpoints. "I was just
wondering if we're going to have to pass through one of these
stations every forty or fifty yards."
"Absolutely."
"I was afraid of that."
"Add it to your bill," said the man in white.
After another two hundred yards the corridor branched off
and they chose the sidewalk that veered to the
right. The doors came more frequently now, as did
the checkpoints, but finally they came to a halt in front of
a door that appeared no different from any of the others.
"We're here," said the man in whites allowing the scanner
above the door to verify his retina and palm print.
"I feel nervous," said the man in gray, as the door slid
into the wall long enough for them to pass through.
"It's a simple enough procedure."
"But he doesn't know who we are."
"So?"
"What if he's happy the way he is? What if we annoy him?
What if he kills people for bothering him?"
"If he was in any condition to kill people, he wouldn't be
here," said the man in white. "Lights!"
The room was instantly bathed in a dim blue glow.
"Can't you make it any brighter than this?" asked the man
in gray.
"He hasn't opened his eyes in more than a century,"
replied his companion. "The room will wait until it knows his
pupils are adjusting before it gets any brighter." He walked
past a number of drawers built into the wall, checking their
numbers, then came to a stop. "Drawer 10547."
A drawer slowly emerged from the wall, stretching to its
full eight-foot length. The two men could barely
make out the shape of a human body beneath the translucent
covering.
"Jefferson Nighthawk," mused the man in
gray. "The Jefferson Nighthawk." He
paused. "It's not what I expected."
"Oh?"
"I thought there'd be all kinds of wires and tubes
attached to him."
"Barbaric," snorted the man in white. "There
are three monitoring devices implanted in his
body. That's all he needs."
"How does he breathe?"
"He's breathing right now."
The man in gray stared, trying to detect the tiniest sign
of movement.
"I don't see anything."
"He's doing it so slowly that only the computer can
tell. DeepSleep slows the metabolism down to a
crawl; it doesn't stop it, or we'd be down here with thirty
thousand corpses."
"So what do you do now?"
"I'm doing it," said the man in white. He
walked over to the drawer where the body lay, laid his hand
over a scanner until it identified his fingerprints, then
tapped in a code on a keyboard that suddenly extended from
the scanner.
"How long will this take?"
"For you or me, probably a minute. For the
people we've got down here, maybe four or five minutes."
"Why so long?"
"If they weren't dying, they wouldn't be here in the first
place. In their weakened conditions, they take
longer to respond to external stimuli." The man in white
looked up from the body. "More than one has died
from the shock of being awakened."
"Will he?"
"Not likely. His heart reads pretty close to
normal, considering."
"Good."
"But if I were you, I'd brace myself for when he finally
wakes up."
"Why? You've already told me he won't die, and that he's
too sick to pose a threat even if he wanted to. So
what's the problem?"
"Have you ever seen a man in the advanced stages of
eplasia?"
"No," admitted the man in gray.
"They're not pretty. And that's an
understatement."
They both fell silent as the body in front of them
gradually began acquiring color. After two more
minutes the translucent top slid into the wall, revealing an
emaciated man whose flesh was hideously disfigured by the
ravages of a virulent skin disease. Patches of
shining white cheekbone protruded through the flesh of the
face, knuckles pierced the skin of the hands, and even where
the skin remained intact it looked like there was some
malignancy crawling across it and discoloring it.
The man in gray turned away in disgust, then forced
himself to look back. He half expected the airs to
smell of rotting flesh, but it remained pure and filtered.
Finally the eyelids flickered, once, twice, and then,
slowly, they opened, revealing light blue, almost colorless
eyes. The diseased man remained motionless for a
full minute, then frowned.
Excerpted from
The Widowmaker by Mike Resnick. Copyright
(c) 1996 by Mike Resnick. Excerpted by permission
of Bantam Spectra, a division of Bantam Doubleday Dell
Publishing Group, Inc. All rights
reserved. No part of this excerpt may be
reproduced or reprinted without permission in writing from
the publisher.From the Inside Flap
Excerpt. © Reprinted by permission. All rights
reserved.