Series: Book 1 in the Novels series
Rating: Not rated
Tags: EN-Thrillers, Lang:en
Summary
It's 2023, and the Web has almost destroyed the world.
While cyberspace's early pioneers promoted the Net as a
revolution in human communication, America has instead become
a society of desk-bound introverts who believe everything
they read. The federal government has been "bought" by a
Microsoft-style corporation. Any semblance of central
authority has vanished. As the Net infiltrates India and
Pakistan, fevered nationalists and terrorists find one more
medium through which to spread the word. With
Killing Time, Caleb Carr (
, ) manages to create a future that's both
frightening and nostalgic. The novel's narrator, Dr. Gideon
Wolfe, longs for a world before technology swallowed people's
minds and imaginations. Through a series of complex
misadventures, beginning with the murder of his best friend,
Gideon finds himself joining a ragtag army of scientists and
inventors who hope to take it back. Heading up this
'60s-style revolutionary cell is a brother-sister
team--genetically engineered geniuses with silver hair and
shining eyes. Aboard their ultramodern ship, Gideon learns
the extent of the damage done. When they dive below the
surface of the Atlantic, he looks out the window and sees not an idyllic scene of aquatic wonder such as childhood
stories might have led me to expect but rather a horrifying
expanse of brown water filled with human and animal waste,
all of it endlessly roiled but never cleansed by the steady
pulse of the offshore currents. Carr's future is suffused with regret. It's also rife with
mystery and suspense; in every chapter the stakes are raised
a little higher, the apocalypse hovers a little closer. This
author is a master of the cliffhanger, of cryptic warnings
that return to haunt our hero later in the text. Occasional
flashes of humor relieve the prevailing ominousness, and a
beautiful girl with a huge gun appears at regular intervals
to keep things humming. Fans of Steve Erickson's
end-of-the-world novels will likely enjoy this adventure in
the Internet age, where the sheer amount of information has
induced not quantitative changes in the human psyche, but
qualitative ones.
--Ellen Williams
Famous for his bestselling thrillers re-creating old New
York (The Alienist; The Angel of Darkness) and trained as a
military historian (The Devil Soldier), Carr leaps into the
future for his third novelDand lands with a thud. Set about
25 years ahead, the first-person narrative describes the grim
adventures of Gideon Wolfe, a bestselling author who joins
forces with a band of outsiders intent on alerting the world
to the dangers of excess information untempered by wisdom. By
2023, the Internet has multiplied wildly the ability of power
possessors to deceive the general populace, resulting in a
globe devastated by ecological blight and filled with
near-zombies glued to computer screens. Some groups have
escaped this fateDparticularly those living in unwired if
disease-ravaged areas of Africa and AsiaDand a few, led by
the enormously wealthy and brilliant brother-and-sister team
of Malcolm and Larissa Tressalian, have vowed to fight it.
These two, with a small crew, bring Gideon aboard their
fantastic flying/diving fortress vehicle. They explain that
for years they've seeded world-shaking disinformationDfor
instance, that Winston Churchill plotted the outbreak of WWI
and that St. Paul advocated lying about the life and miracles
of Jesus in order to spread the faith. They've planned to
reveal these hoaxes as such, to warn about the power of
disinformation, but they're stymied by both the cleverness of
their own lies and by a new threat that sees one of their
hoaxes lead to possible nuclear Armageddon. This book is as
much didactic essay as novel, filled with preachy talk.
Characters are broad but memorable, and there's some brisk
action, but the suspense relies too much on forebodings and
cliffhangersDno doubt because the text originally appeared as
a serial in Time magazine, from November 1999 to June 2000
(it's been slightly revised for this edition). The prose Carr
uses is elaborate, near-VictorianDperhaps a holdover from his
other novelsDand ill suits a futuristic tale. As readers
navigate it, they won't be quite killing time, but they'll be
wounding it for sure. (Nov.)
Amazon.com Review
From Publishers Weekly
Copyright 2000 Reed Business Information, Inc.